Bio

After an outstanding career in Avant-garde and Classical Music as a Saxophone player, in 2012 he fell in love with Renaissance and Early Baroque music: soon he began the study of the Baroque Cornetto and ornamentation with Andrea Inghisciano. Since then he has an intense concert activity in the world of Early Music. He performed at Oudemuziek – Utrecht, “Monteverdi Festival” – Cremona, Lviv Early Music Festival, Music First – Kiev, Trigonale 2016 – Maria Saal, Società Aquilana dei Concerti “B. Barattelli”, Micat in Vertice/Accademia Musicale Chigiana – Siena, Ravenna Festival, Urbino Musica Antica, Sagra Musicale Umbra, Festival rane muzike – Beograd,  Teatro Regio – Torino, Teatro Olimpico – Vicenza, Vilnius Philharmonic, Mannheim Nationaltheater, Auditorium Haydn – Bolzano. He has collaborated with: Il Giardino Armonico – con. Giovanni Antonini, Accademia Bizantina – cond. Ottavio Dantone, La Venexiana, Taverner Consort – cond. Andrew Parrott, Cantar Lontano – cond. Marco Mencoboni, Wrocław Baroque Ensemble – cond. Andrzej Kosendiak, Balthasar Neumann Chor & Orchestra – cond. Thomas Hengelbrock, Cappella Neapolitana – cond. Antonio Florio, La Pifarescha, English Cornett & Sackbut Ensemble, Modo Antiquo – cond. Giovanni Maria Sardelli, Il Gusto Barocco – cond. Jörg Halubek, New Trinity Baroque – Atlanta, Odhecaton – cond. Paolo da Col, L’Estro d’Orfeo – Madrid, “Cappella Marciana” – Venice.

With Nicola Lamon he is co-leader of “Seicento Stravagante” a cornetto-organ duo devoted to promotion and performance of renaissance and early baroque music using mainly authentic historical organs: the duo has an intense concert activity around the world. The two artists are making a series of audio/video recordings using the most prestigious historical organs in Italy. 

He recorded for BIS, CPO, Amadeus, Brilliant Classics, Fra Bernardo, Bongiovanni, Radio Vaticana, ORF1 and Tactus.